Try to do your best to capture every single detail in baby photography
The detailed shots are always the ones that make the most kind of impact in your baby photography shoot. The sooner that you are able to get something like this down, the better it will turn out to be for the images that you are able to take at some point or so. Take the time to really take photos of the little details during the baby photography shoot. The best way for you to more or less pull this off would be to get your shots in while the baby is asleep. The baby is less reactive and less likely to put up a fight when you are trying to take all of those close up shots in so this is something that can really work to your advantage at the end of the day.
Change up the venues of the baby photography shoot for variety
Ideally, you should do your photo shoot in a bunch of different places other than the obvious venue, which is your studio. When it all comes down to it, you should get some studio shots but that does not mean that you should miss out on other venues as well such as in the home, in parks and so on and so forth. The more variety you will be able to put in, the more interesting your photos will turn out to be. If you can get it all done in one day, then by all means, you should aim for it as much as possible. However, if that is not the case, then you should schedule at least two to three days to span the entire Calgary newborn photography project so that you can change up the venues for your photo shoot.
Schedule the photo shoot in the first ten days of the baby’s life.
This time in the baby’s life is something that will really get to make your photo shoot so much easier than usual. Babies tend to sleep a lot. Somehow, they are still more or less unable to grasp the concept that they are already out in the world and that they are no longer safely and securely ensconced in their mother’s womb. Talk to the parents ahead of time so that you can go ahead and schedule the photo shoot accordingly. The sooner that you are able to get this done, the better things will turn out to be for you and for the baby photography shoot that you are trying to bring together.
Prepare all of your baby photography equipment.
Baby photography shoots cannot last any more than a couple of hours or so. This period of time is something that you should maximize as much as possible. Come to the photo shoot prepared. Make sure that you have all of your gear ready. If you are planning to use any possible props, then get those ready as well and make sure that they are all clean and ready to be used when it all comes down to it. Bring your cameras along, all of the lenses that you are going to need, wipe all of your memory cards clean and make sure that all of your camera batteries are charged to the fullest possible capacity.
Wedding photographers get the highest quality of images when they shoot in RAW
RAW is the kind of format that is practically complete and conclusive. It records all of the info in the image captured directly from the camera’s sensor. The kind of quality that it is able to bring in to the images is unparalleled and when it all comes down to it, no other format available out there could really compare to the clarity and to the crispness that RAW images are able to bring in to the mix. As a wedding photographer, this is something that you should be able to appreciate and value at the end of the day. What you need to remember is that your clients are paying you top dollar for your service in wedding photography; you need to make sure that you are able to deliver nothing but the very best as well.
RAW delivers the highest levels of brightness to wedding photographers.
Levels of brightness basically point to the amount of steps it will take to take an image from black to white. RAW is outrageously way ahead of any other format out there because it offers the highest possible levels of brightness for the images. If you would like to get things into perspective in a way or so, just take note of the fact that a JPEG file has 256 brightness levels whereas a RAW file can range from 4,000 to over 16,000 levels of brightness. The differences are almost overwhelming. Professional wedding photographers will not be so willing to just let that go right off the bat. The levels of brightness can provide you with a pretty smooth transition in between color tones and this is something that can really boost the quality of the pictures at the end of the day.
Wedding photographers can easily correct any exposure issues in the images when they are in the RAW file format.
Super exposed and under exposed images are problems that have always hounded wedding photographers for the longest time running. This does not mean that you should just give up on this altogether though. RAW images will allow you to be able to fix any image flaws quite easily and with nothing more than just a few hang-ups. Because of the fact that RAW images have all of the info complete and intact, it will be far easier for you to patch through any flaws or imperfections.
White balance is easily adjustable when the images are in RAW.
JPEG files tend to auto adjust the white balance and you end up losing the original images in all of that compression and auto application. Wedding photographers Dublin do not appreciate having to lose that kind of control and if you would like to join their ranks as professionals, neither should you.
Wedding photographers get to enjoy the kind of photo editing that is non destructive when they are in RAW.
RAW files will always protect the original version of the images which means that you can edit them freely without worrying about losing anything in the long run.
Do not erect the tripod on wet sand if you are set in a beach wedding photography setting.
There will be a lot of times wherein you will be asked to hold your wedding photo shoot in challenging situations such as a beach wedding, for example. This brings in a lot of difficult aspects to the photography side of things because when it all comes down to it, the beach is a bit of an unpredictable setting to deal with at the end of the day. When you bring a tripod into the equation, it will make the equation so much harder than it already is. After all, when you come to think about it, wet sand does not exactly give you the firmest and the most stable of grounds to erect the tripod on. The legs will sink in the moment that the weight of the camera and the lenses are applied when you mount it. This can be easily fixed by putting in rubber caps at the bottom of the legs, just making the contact surface a little bit wider so that the weight is distributed and the tripod legs do not sink through. However, as much as possible, you should avoid being right on top of wet sand entirely if you can help it.
Most people make the assumption that it’s OK to settle for a cheap tripod if you are new to wedding photography.
Cheap tripods also mean that the quality may not be as good as you would like it to be and that can be a problem. You have to remind yourself time and time again that what you are putting up on it is expensive photography gear that can be quite easily at risk if the materials being used or the way that the tripod has been manufactured is a bit sub standard. What you need is a tripod of the highest possible quality. Borrow one from your friends if you can’t buy one yet but do not settle for a cheap tripod than can end up doing more harm than good for you and for the wedding photo shoot that you are trying to bring together.
Most people new to wedding photography forget about the spirit leveler of the tripod altogether.
Tripods usually come with a spirit leveler that gauges the balance of the tripod. It is important for you to make sure that you check this before you leave your camera and your lens on it. The slightest imbalance on the way that the tripod stands can have your gear and everything else that comes along with it comes crashing down the ground. It will only take you a few seconds to check the leveler and adjust it accordingly to make sure that the balance is on point. You might as well go through with it.
Most people make the mistake of buying a tripod not built for easy transport.
Wedding photography requires you to move around all the time so a movable tripod is an utmost priority.
Stop procrastinating and start working on improving on your wedding photography skills today.
When it all comes down to it, there really is no better time to get things done than today. If you have been nursing the possibilities of establishing a business or a career in wedding photography at some point or so, then you should not delay any longer. You should get your plans in order and get things started as soon as you possibly can. The longer that you sit on the idea, the further it will slip away from you when it all comes down to it. The point of the matter is that you will not really need a lot of capital to get things started for you. If photography has become such a passion for you to the point wherein you are already seriously thinking about making a career out of wedding photography, then you should go after it while you still have the time and the inspiration to get it done.
You should network with other experts in wedding photography in your area.
One of the tried and tested ways for you to be able to really up your wedding photography marketing game would be for you to learn how to network. Networking is extremely helpful for you and for your business because it is the perfect opportunity for you to get introduced to people you would not have accessed any other way. Have a stash of clean business cards always ready to hand out to people you might meet during weddings or practically any day of the week. You never really know when you will get to meet your next big client. Get in touch with the other service providers during the weddings that you cover and try to get their contact info. You will need all that information the moment you write up your wedding photography blog.
Go quietly while you are shooting your wedding photography shoot.
One of the most valuable things that you could learn as a wedding photographer would have to be the aspect of learning how to be quiet while you are shooting the event. There is actually such a thing such as a quiet shutter setting. You need to learn how to set this up in your camera. Learn how to work through the modes and the settings. This will get to help you out a lot in making sure that you do not really attract that much attention to yourself during the wedding photo shoot. People tend to get a little bit self conscious when they realize that an essex wedding photographer is scrutinizing their every look and every move from behind the lens of the camera and that is something that you should avoid at all costs. You should make yourself practically “invisible” during the photo shoot.
Maintain your memory cards and keep them in top shape all of the time.
Memory cards get corrupted all of the time. You need to make sure that you are able to always wipe things clean before you use them so that you can avoid any format errors.
Have a wide variety of lenses ready all of the time.
Every wedding photographer should have this in his arsenal. As a wedding photographer, you should always aim for some sort of variety in the shots that you take. This is the only way for your entire wedding photo shoot to have some sort of spice every now and then. You do not want to end up with something monotonous and boring. People will notice within the first five frames or so if the perspective and the angle is the same all of the time. You cannot afford to bore your audience at this point in your career. You have to remember that you are still more or less trying to build your brand up. You will need to up your game every single time. Invest in a variety of lenses so that you can play around with the kind of shots you take. For the basics, go for a wide angle lens, a telephoto lens, a macro lens, and a practical medium zoom lens. This will give you some sort of freedom to play around with the images that you take and to inject some sort of variety into the mix.
Get the names of the people you will be working with.
The bride will usually have a maid of honor or some other friend or member of the family that she delegates things to during the day of the wedding because she will not really be that available. Get to know this person or get to know the people close to the bride in general. You will need to be on first name basis with them just so that you will have no problem going to them for any questions or for any sign offs that you may have during the wedding. These people will need to be within the bride’s inner circle so that you can be guaranteed that whatever they say or that whatever they may decide on will actually be pretty much within the same wavelengths as the bride at the end of the day.
Come face to face with every wedding photographer’s dilemma: the white wedding dress.
The camera sees the white wedding dress as something that can be potentially problematic to the image being taken because it thinks all that white is not white at all but brightness. the camera will automatically dull the dress out in what it thinks is its attempt to save the rest of the image but of course, as you may well know, that is not the case. It just makes the dress end up looking drab and unappealing and you cannot possibly want that for any of your clients. The good think about this issue though is that you can easily remedy this by putting in some positive exposure compensation. Get to know this setting of your camera like the back of your hard and practice as much as possible because you will need that technical knowledge during the wedding day. Get tips on how to get the right shots of the wedding dress from http://www.e-motionimages.co.uk.
Get a second camera no matter what happens.
If you can’t buy one yet, then borrow one or lease one. Do not show up at the wedding without one.
Wedding photographers should not cheapen out and just settle for flimsy tripods.
This is one of the most common mistakes that wedding photographers who are just starting out in the industry and this is something that you should avoid from making at all costs. If you do not have enough money just yet to get yourself a tripod that has a high enough quality to actually get to help you out a lot during your wedding photography shoots, there are other ways to get one without having to settle for a cheap tripod that might not deliver on the support and stability that it promises for your camera. You can always borrow a tripod out from friends or you can even get one out on a lease for a fairly reasonable rental fee. You should not just settle on buying a sub standard tripod because you might end up damaging your photography gear and actually do more harm than good. A cheap tripod can topple over or can flip over any time and you cannot afford that kind of risk especially this early on in your career in the field of wedding photography.
Wedding photographers should not leave their tripods behind.
Once you actually do get the funds to get yourself a high quality tripod, do not just leave it behind at home. Put it to good use by actually bringing it along with you in the weddings that you cover. You might be thinking that there are a lot of instances wherein there is no established need for a tripod and you can get away with not bringing one with you but you are quite wrong when it comes to that premise. You will always, always need a tripod in wedding photography and that is whether you would like to admit it or not. If you are having issues with having to bring your tripod along with you all of the time, then you should get a tripod that is built for easy transport instead so that you will find it easy and hassle free to bring it along with you all of the time (as you should).
Most wedding photographers also make the common mistake of carrying the tripod on their shoulders without dismounting the camera first when they need to move to a different area. This is really more out of laziness more than anything else. Do not be that kind of wedding photographer who is too lazy to mount and dismount every time you need to move to a different area while you are taking up a position for a unique wedding photography hertfordshire perspective. You can never really tell if you are able to misjudge the distance between you and the wall or not. You might end up crushing your camera right next to the wall.
For beach wedding settings, do not make the mistake of setting your tripod up on wet sand.
Wet sand and tripod legs really do not make a good pair and should be something that you should avoid at all times. Fit your tripod legs with “snow shoes”, basically just modified rubber suction cups on the legs just so that they do not sink right into the sand.
Don’t try too hard to get people to like you during your wedding photography event.
Whether you would like to admit it or not, you might actually be far more likable than you would expect yourself to be. You do not really have to worry too much about the EQ quotient of your personality because all that you will need to bring in to the table would be for you to be polite and friendly enough while you conduct the wedding photography shoot, that’s it. There is no need for you to go over and beyond that. It really is not that necessary. There is no need for you to try all too hard to get people to like you because it really isn’t in your job description to keep them entertained all of the time. As a matter of fact, the quieter you can be during the wedding photography shoot, the better.
Do not allow yourself to run out of memory space while you are at your wedding photography shoot.
One of the main challenges that people working in the wedding photography niche always come across is the issue of the memory space usage. Most professional wedding photographers would really opt to shoot in RAW format more than anything else because it is the image format that yields the best possible quality at the end of the day. The only down side to this is that it eats up a lot of memory space in almost no time at all. You need to prepare for this ahead of time and make sure that you never run out. Bring a lot of memory cards with you and pack for more than twice the amount of memory space than you think you will ever get to need. Make sure that they are stored appropriately in protective casings all of the time and make sure that you are able to wipe them clean before you use them to ensure that they are always in the best possible shape.
Get a second shooter by all means.
A second shooter will save you on so many different situations and aspects and that is why this is something that you should never opt out of in any way, shape or form. You have to remember that weddings are extremely huge events. It is next to impossible for one man alone to cover everything as thoroughly and as efficiently as he would like to. The truth of the matter is that he will not be able to do it alone. You should get help where help is needed. Having a second shooter around also means that you will be able to focus more on your important must-have shots while the second shooter takes care of everything else.
You do not have to break the bank in hiring a second shooter for wedding photography.
Hiring another professional wedding photographer cardiff as your second shooter is costly in theory but there are ways for you to get one without losing a whole lot of money. Reach out to your fellow photographer friends and offer to swap services as second shooters in events that you book. Problem solved.
As a wedding photographer, what you will need to understand is the fact that makeup is crucial when it comes to showcasing the best possible features of the bride as well as the rest of the other people that you are trying to take photos of at some point or so. There are a lot of photo shoots that come along with a wedding photography event and that is the main reason why a lot of wedding photographers have makeup artists that they actually recommend to their clients. You should also be able to look into things like those as well.
Talk to the makeup artist that you are trying to work with.
Make sure that you have a few basic makeup tricks that you will need to get down pat. Although they certainly do not need advice on how to get their jobs done since they are the experts in that field in the first place, it still pays if you get to really give them a few basics about it.
You will want the bride’s makeup to be long lasting and to not melt at the first signs of humidity so the makeup artist should start off with a high quality primer. It will fill into the fine lines in the face of the bride. It will also make sure that whatever imperfections there may be in the bride’s face, it will be dulled out by the primer that is being put in.
Remind the makeup artist that the foundation should go “all the way”.
Most of them just stop short right in the jaw line and completely neglect the neckline. Although this is something that may not really matter all that much to the human eye or to the people looking at the bride, this is something that the camera will be able to spot almost right then and there. It also does not photograph freely. To be honest, makeup not done all the way is a sloppy job and should be touched up and fixed as soon as possible.
Framing is everything
Up until this day, it still surprises a lot of people how the right kind of contouring can magically make someone’s face so much more flattering than in any other editing software out there. Contouring, when done the right way, can look natural and almost feathery and surreal. You need to make sure that the bride gets to employ a makeup artist in this particular aspect and the rest of the photos that you take of her as the official wedding photographer Cheshire should be pretty much set at some point or so.
A great eyeliner also goes a long way
Something feathery and smudgy such as a pencil liner is fine for daily use but if you are going for something dramatic and show stopping in the photos, then liquid liner is definitely way to go. It needs to be very close to the lashes so that it tends to look natural despite the obvious enhancements that the eyes tend to get from it.
Wedding photographers succeed because of one reason only; they see the aspect of being a wedding photographer as more than just a job that keeps things afloat, they see it as a chance to chase after their passion. If you look at your wedding photography business as more than just a way to get money, then you are off to a pretty good start. Even if you have all of the best business plans and timelines down pat, or even the photography skills to boost; if it is not something that you are particularly passionate about, you will never be able to bring it through towards the whole thing. Passion is the difference between a well executed business plan and a business plan that will be able to make the entire thing thrive and flourish when it all comes down to it. If you are not particularly passionate about it, then you might as well forget it because you will end up wasting money in the process. Wake up to inspiration and to excitement for wedding photography every single day and you will never go wrong.
Embrace failure in the beginning.
Wedding photographers go through a lot of challenges and roadblocks when they are just starting out with their careers and that is something that you should be prepping for as well. It will not be an easy ride for you at the beginning. It is always an uphill climb and this is something that you should prepare for one way or the other. Do not let these failures at the start sway you. Stand your ground as much as possible and work your way through it. The no’s that you get should only inspire you all the more. Success will only be sweeter if it is something that you get to work hard for. You will learn a lot of things from the first few mistakes that you make so hang in there and stay strong throughout your climb towards the top.
Capitalize on the things that make you unique compared to the other wedding photographers out there.
Do not rush off to mimic the next big wedding photographer Birmingham who breaks out into the scene just yet. These people were able to make good on what they are doing because they banked on what they believe makes them different from the rest of the competition. You should be wise enough to make sure that you are able to do the same. The things that make you stand out are the things that will make your marketable as a wedding photographer so work on it and develop it as much as possible.
Get a job on the side just to make things easy for you as you are trying to kick your career off the ground.
You need a steady source of income while you are trying to grow your business so make sure that you at least keep some kind of job on the side while you are more or less waiting out your next big break.
RAW is a different file format compared to the others available out there for wedding photographers.
Whenever wedding photographers shoot in RAW, what they get to have are image files that save the information about the images that have been directly recorded by the sensor of the camera. This is unique in such a sense wherein all of the info is complete. This is not available for photographers like Sussex wedding photographer when they use other file formats such as TIFF or JPEG. The reason why having all of the info intact is very advantageous is because you get to have control over all of the changes that are being made on the images. There is no compression of files or editing of any kind done by the camera. No other format in the market can offer this out to you.
You get the highest levels of brightness when you film in RAW.
When you get high levels of brightness in your images, you get really high quality for them as well. This particular kind of feature basically refers to the number of transitions that it will take to bring an image from black to white. The transition of the color tones is one of the really important elements for photo quality out there. Try to do your best to keep that in mind all of the time.RAW is the only format that can provide you with anywhere from four thousand to over sixteen thousand levels of brightness. That is something that can be extremely substantial compared to what JPEG files have to offer which can only give you up to 256 levels of brightness.
It is easier to touch up images that have all of the info still intact and only RAW can give that to wedding photographers.
The shooting aspect of the service that wedding photographers will have to provide is just as important as the editing process of the photos. It is quite common to have over exposed images and under exposed images during the wedding and that is quite understandable. Things and people tend to move really fast during weddings and you can only do so much to try to go ahead and control them. the only difference with shooting your images in RAW though is that you can easily fix any exposure problems when you shoot them in RAW. This will make life so much easier for you once you get to the aspect of touching up photos in huge numbers.
RAW does not automatically touch the white balance setting on the pictures.
JPEG images have the white balance automatically applied by generic software embedded in the camera. That is not something you might want to just leave up to the camera at the end of the day. You will always be far smarter than any camera. It is always better if you call the shots on any changes that are being made in the images instead of the camera doing it for you. Professional wedding photographers in general really appreciate this kind of control over the pictures.
You need a second shooter for your wedding photography shoot, plain and simple.
This is something that a lot of people tend to skip out on because of the fact that it costs money but at the end of the day, you really should not. Money has always been one of the main troubles that new wedding photographers face at some point or so. It will come as no surprise if you will too and that is quite alright. There are a lot of ways for you to be able to find your way around this. The point of the issue is that you will need to hire a professional second shooter no matter what happens. A second shooter will help you pick up the pieces where you left off. You will not always be in your best condition during the wedding day. There will be times wherein you will feel a little sick or under the weather and not be in your optimal condition all of the time. A second shooter set in place will help you focus a little bit more on your important list of shots all throughout the wedding photo shoot.
You do not have to go broke to hire a second shooter.
Again, you will need a second shooter regardless if you can afford it or not. However, the smart way to go about with this would be for you to get a second shooter without breaking the bank for it. Talk to the rest of your friends in the photography circle in your area and offer to exchange services with them one way or the other. You can be the second shooter in the weddings that they cover and in return, they should be the second shooter in the weddings that you cover. This kind of arrangement will definitely benefit both parties and at no substantial amount of money or cost. Reach out to the rest of your contacts and ask around for new wedding photographers Los Angeles in your area. If you are having an issue with the second shooter costs, there is a pretty good chance that they are too and that they do not have the money for it as well. It is the perfect solution for your problem.
Do not allow yourself to run out of batteries during your wedding photography event.
Batteries are the lifeblood of your camera. Without batteries, you will end up with hundreds or thousands of dollars worth of photography gear rendered completely useless. Buy about two extra batteries per camera and makle sure that they are all fully charged.
Do not allow yourself to run out of memory space.
Memory space is crucial particularly if you are shooting in RAW. Pack in about twice the amount of memory space than you think you will need. Make sure that your memory cards are wiped clean right after every single use. Memory cards have the uncanny tendency to get corrupted or to corrupt the files that they store all the time so wiping the memory cards clean all of the time will make sure that the cards are always in top condition.
Wedding photographers out there go for RAW because it is a very unique file format.
Raw is a very unique file format because it records the original information that has been captured by the sensor of the camera that the images have been shot by. This means that the info is pretty much held and kept intact and no variations or modifications have been done to it. Other files such as JPEG and TIFF tend to auto edit the files by applying white balance and compressing it as well to save up on memory space in the process. This means that if you shoot in RAW, you get control over all of the editing options down to the very last detail. This is extremely powerful, when you come to think about this. The only downside to this though is the fact that RAW tends to hog in a lot of memory space in the process. Like Los Angeles wedding photographer, you will have to pack in about double or triple the amount of memory cards you usually bring in if you want to upgrade to shooting in RAW anytime soon.
RAW files enable wedding photographers to record the highest possible levels of brightness.
Levels of brightness is a huge deal if you are all for the high quality pictures. What levels of brightness mean is the amount of steps that it will take to transition a picture or an image from black to white. If you are quite new to the editing game, what you should know is that the higher the levels of brightness are, the higher the transition is between image color tones, and overall, the higher the quality of the photos turns out to be. Even the best possible filming techniques out there will get you next to nowhere if you have bad image quality. And that is the main reason why before you skip out on the RAW option and go for something else instead, you should seriously consider the quality that you will be getting. Quality trumps pretty much everything else at the end of the day.
Under exposed and over exposed images are easier to fix because when it all comes down to it; all of the info is still pretty much intact.
Things happen fast during a wedding event. As much as you would like to get the best possible exposure for your pictures, that is not always a luxury that can be readily handed out to you one way or the other. if you shoot in RAW, you will be able to fix up the images way faster and way easier compared to any other format available out there because it still has all of the info from when the images were originally shot. Nothing is compressed or omitted out.
The white balance can be easily adjusted if the images are filmed in RAW. Then there is the issue of the white balance. White balance is something that is easily applied to the images if you shoot in JPEG but not if you shoot in RAW.
A smart wedding photographer knows that he needs a contract drawn up for every wedding client.
A service agreement with the bride and groom is something that is technically legal and binding. Before you sign a client up with you as the official wedding photographer who is to cover their special wedding day, you need to make things official through a contract. Make sure that the contract stipulates anything and everything that may matter pertaining to the agreement. Make sure that everything is pretty much spelled out in black and white and leave no room for interpretation or presumptions. Everything should be as clear as the light of day. Make sure that the risks are mitigated as well as much as possible so that you can protect your business in the event that something happens one way or the other. Once you are able to draft out the first copy of a contract, you should get it out to your lawyer and get it reviewed and proofread. A contract should be a document that is free from loopholes and pretty much iron clad.
Get a wedding photographer emergency kit.
What you need to understand is the fact that when it all comes down to it, mishaps can happen during a wedding event. You need to make sure that this is something that you will be able to prepare for. A little foresight can really go a long way and when it all comes down to it, it can really pull you through should anything happen. Like wedding photographer Hampshire, get a kit together and include some points, a roll of two of some sticky tape, a bottle of stain remover, and a decorative hanger for you to hang the wedding dress in. they may seem like little things but they are tremendously useful the moment that a need comes up. Keep your kit with you all of the time and within reach because again, anything can happen during your photo shoot and you need to be ready all the time.
Bring a white sheet to help you set the bride and groom at ease during the wedding photography shoot.
This is something that can prove to be the most helpful if you are shooting in an outdoor setting. The bride and groom will not be all that willing to pose for you if it would mean putting their clothes at risk of getting wet, muddy or just about any kind of soiled or dirty. Bringing a white sheet along with you sill really make things easy for you and for the couple who are being photographed. A white sheet will get to protect their clothes from getting soiled or dirty during the photo shoot and it will just help make things happen smoothly.
A wedding photographer should always stay calm and in command of your wits.
If you are pretty nervous having to shoot the photos for the couple during the wedding day, you can only imagine how they feel being in the center of it all. Stay as calm and as collected as you possibly can and try to assure them that everything is pretty much under control.
You should deal with the fact that bridal dresses are white.
This is something that every wedding photographer comes across at some point or so. If there is one common issue that you will have to face as a wedding photographer, it would have to be the aspect if the bridal dress always having so much white all over. This may be a bit trivial for others who are not that well versed with wedding photography but as a wedding photographer who is worth his salt, you should definitely know and be well aware of the fact that this is something that you will have to face at some point or so. What the human eye may technically see as a dress that is just all white, what the camera sees is a potentially problematic bright spot that needs to be fixed at some point or so.
There is no need to stress out though because this is something that you can do about at the end of the day. All that you will really need to do would be for you to dial in some positive exposure compensation and that is it. If you do not do anything about the white bridal dress, you will ultimately end up with pictures that have the bridal dress looking dull and gray and that is not something that you want for your final finished products. That is also not something that will keep the bride happy and over the moon about. You might as well make sure that the dress comes out right.
Get a second camera and shooter.
A responsible wedding photographer will always go through the motions of getting a second camera and second shooter no matter what. A second camera and a second shooter is something that you will need to make sure that you have by all means. A second camera will serve as insurance or backup for when something happens to your main camera and you are smack right in the middle of shooting an event. If you cannot afford to buy one just yet, and that is pretty understandable since as a new wedding photographer, you may not have a lot of cash lying around; then by all means, buy borrow one or rent one out in the meantime. There are a lot of temporary fixes available for as long as you have the intent to find it.
Hiring out a second shooter can potentially be expensive but it is something that you can find a solution for one way or the other. Talk to the other new wedding photographers in your area and offer your services to be the second shooter in the weddings that you book and in turn, you they should do the same at some point. It provides a mutually beneficial solution to a common problem and it is something that will cost you next to nothing. You don’t have to go broke to get a second wedding photographer. The point is the matter is the fact that you need one, period. You do not exactly have to break the bank for it.
There is a cheap way to hire out a second shooter for your wedding photography gigs. Wedding photography is one of the most lucrative photography niches that you could ever get into. That is the main reason why it really comes as no surprise why people are flocking to get into it as much as possible. This may be something disheartening to hear at first but the truth of the matter is that this is something that you cannot afford to realize in the very beginning. Hiring a second shooter to help you cover enough ground in your wedding photography sessions is one of the most expensive overhead costs that you will have to deal with. Sadly enough for you, when it all comes down to it, there really is no way out of this. There is something that you can do about this though at the end of the day. And luckily enough for you, this particular solution will not require you to cause a dent in your already struggling budget.
Reach out to the rest of the people you may know in the wedding photography community in your area and offer out your services as second shooter for their weddings and in exchange, they should do the same for the weddings that you do book. All it really takes is a smartly worded email and all of the right contacts for you to touch up on, and you are pretty much set and good to go. It is something that is practical and cheap (or for no cost at all) and definitely something that you should need to try especially if lots of cash lying around is not a luxury that you can afford just yet.
There is a compromise lens that can do what the telephoto lens and wide angle lens can do all in one. If there is one thing that you will need to remember and keep in mind all of the time, it is the fact that at the end of the day, you need money to make money. Two of the most basic lenses that you will need to have on you all of the time would have to be a telephoto lens and a wide angle lens. A telephoto lens is perfect for all of those close ups that you will need to take from afar or from a considerable enough distance whereas a wide angle lens is something that will allow you to take great looking group photos without difficulties. These lenses are extremely expensive though and you may not be able to afford them all at once. In the meantime, just until you are able to pull off enough funds to get it done, you can invest in something fairly midrange and affordable but it will still be able to pull the job off one way or the other. Your solution lies on the medium zoom lens. It does a little of what both lenses can do without breaking the bank and can be the perfect “meantime” lens.
Back up your photos twice all the time. Treat your image files like gold. Back them up in two different places and in two different devices, no questions asked.
First and foremost, the most important thing for you to do is to make sure that you get to find a niche.
Before you even decide to get into commercial photography and actually make a living out of it, you need to see what you are good at and where you should concentrate on when it all comes down to it. Although it may be true that you should not be all that choosy when it comes to the side gigs that you are getting when you are just starting out in the world of photography, that does not mean that your interests or preferences should all be scattered as well. Try to read up on articles online about the different kinds of photography out there and find out which ones seem to pique your interest the most.
That should be a pretty good start. You need to have a substantial enough background idea in order for you to be able to form your opinions accurately. Try to talk it out with the rest of the other people you may know who are also in commercial photography. Ask for an honest assessment of the kind of work you do and what they think the perfect niche is for you. Finding your niche in commercial photography is as important as finding your personality and finding your place in the world. Work hard at it and keep going until you actually establish it.
Be as diligent as you possibly can and brace yourself for an onslaught of failures in the very beginning.
There is no such thing as you not being good enough and you technically end up failing in the process. That is not something that you would like to do at all and more so, that it not how things are bound to happen. If you tend to face a lot of failures at first, what you need to understand is the fact that this is all in the beginning. Keep working at it and you will eventually learn how to make things work for you. Set all of your goals accordingly and get rid of any kinds of doubts in the beginning. Take a few small steps at a time until you are able to reach the goals that you have set for yourself as well as for your commercial photography business.
Strategize your marketing channels accordingly.
You will need to build a website as well as maintain a blog. You will also need a professional email address with a fairly professional domain. If you want to be able to muscle your way into the commercial photography world, what you can be rest assured of is the fact that they will be unimpressed with a domain account name that says yahoo.com or something fairly generic. You do not have to spend a whole lot of money on this. It requires a small capital and a little work on the side. It should pay out in dividends if you work hard enough in making sure that you are able to cultivate it.